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1.1 Introduction
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The
Supreme Ritual of the Aeon is a ceremonial magick ritual with a
Qabbalistic analysis in the tradition of the Golden Dawn, the Ordo
Templi Orientis, and the writings of Aleister Crowley and his
contemporaries.
The
Rite Proper presents a powerful banishing and invoking ceremony
using various new and original Qabbalistic formulae that are in much
greater attunement with the philosophy of love, will, and life (what
some might consider the spiritual essence of Thelema) than what
previously exists.
The
Rite Commentary provides an analysis of the technical formulae
used in the rite -- both how and why it works -- and through this
offers perspective on the spiritual journey all conscious beings take
that transcends mortal life and death to become a cosmic journey.
This
document otherwise answers frequently asked questions.
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1.2 Table of contents
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1.
About this FAQ
1.1 Introduction
1.2 Table of Contents
1.3 Where can I get this FAQ?
1.4 Additional FAQ Questions / Errors / Comments
2. Specific Questions about the Rite Proper
2.1 What is the purpose of the rite?
2.2 What can one expect from performing the rite?
2.3 How often should one perform the rite?
2.4 Do I need to know Magick or the Hebrew Qabbalah to use the rite?
3.
General Questions about The Supreme Ritual of the Aeon
3.1 How did the work come about?
3.2 What is the history / timeline behind the work?
3.3 This looks a lot like [insert traditional ritual name here]
-- what makes it different?
3.4 Final Comments
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1.3 Where can I get this FAQ?
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The
latest version of this document, and other related documents,
including ritual text and commentary, may be found care of http://www.frateramadeus.com.
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1.4 Additional FAQ Questions / Errors / Comments
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If
you have a question that is not answered here that ought to be
included in this FAQ, notice an error, or have any other comments,
please send an eMail to webmaster@frateramadeus.com.
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2. Specific Questions about the Rite Proper
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2.1 What is the purpose of the rite?
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The
Supreme Ritual of the Aeon is a rite that will focus and clarify one's
link with his or her higher self. This is achieved
through the ceremonial and symbolic enactment of the death of the
"ego" -- letting go of "who you think you are" so
that your "true self" might manifest.
Through
this purification and alignment of self one will also purify, as a
matter of consequence, his or her environment. In this sense,
the rite acts as a traditional "banishment".
Use
of this ritual also brings about changes on a Macrocosmic level.
Just as traditional societies are formed by bonds of common values,
interests, or morals -- as
we each align as individuals to the higher within us, we so become
linked by our own spiritual nature.
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2.2 What can one expect from performing the rite?
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Non-adept
followers of "magickal" paths, including non-initiates and
neophytes, will achieve varied results ranging from nothing at all; to
dreams of unusual clarity and lucidity;
to dreams of profound significance;
to remembering "long
forgotten" memories; to
an increase in "intuition"; to having a greater clarity and
understanding of one's "purpose"; to
an increase in "empathy"; to
clarity of thought; to what
can only be described as "a cohesive solar-venusian energy that
accompanies a sense of well-being".
Adept
followers of "magickal" paths, defined here as those with
either empathic abilities, or exposure to magickal rites and currents
such that they are able to detect subtle changes in themselves, will
receive results that range from all the effects described above; to
the use of the astral / dream world as an evolutionary "training
ground" by the higher self; through to outright journey in the
spirit vision.
In
general the effects of the rite can be both profound and subtle.
The greatest acknowledgement of success is observed through a linear
analysis of one's growth and evolution, over time -- either through
review of diary entries or self-reflection.
In
all cases, continued use of the ritual will likely result in both
increased and enhanced results.
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2.3 How often should one perform the rite?
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It
is recommended that the rite be performed using an invoking pentagram
upon rise from slumber, and using a banishing pentagram just prior to
slumber.
Withstanding
the above, the rite can be used as any time or as a replacement for
when similar "ceremonial magick" styled invoking and
banishing rites are used.
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2.4 Do I need to know Magick or the Hebrew Qabbalah to use the rite?
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No.
The "universal" nature of Qabbalistic Hebrew as a "magickal"
language gives it power of itself. An english phonetic version
of the rite is provided for this reason.
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3. General Questions about The Supreme Ritual of the Aeon
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3.1 How did the work come about?
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The
Supreme Ritual of the Aeon began as an effort by ***** ****** to
design a personal version of the Lesser Banishing Ritual of the
Pentagram; a common banishing ritual used in the practice of
ceremonial magick.
The
experience is described as follows:
[...]
the rite itself came to me outside of my conscious understanding --
not so much as any kind of single mystical experience -- but rather
as what I would describe as "clarity of thought" with a
"definite focus" that continued on as an unfolding
process. Looking back, I would suggest that I was acting as a
scribe for either my own higher self, or to what is known in
traditional ceremonial magick writings as an external
"intelligence".
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3.2 What is the history / timeline behind the work?
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The
rite was developed from late 1991 through mid-to-late 1992. The
rite subsequently evolved through various stages, as the circumstances
of time and life permitted, during the period of 1992 - 1995.
The ritual and commentary as they appear today, save editing, were
complete by April of 1996.
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3.3 This looks a lot like [insert traditional ritual name here] --
what makes it different?
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There
is no question that this work follows the same framework that is
present in the Lesser Banishing Ritual of the Pentagram (LBRP),
Star Ruby, and a myriad of other works -- it is unmistakably
based upon this tradition of "ceremonial magick".
One
might argue what makes any of these works different.
In
this work, we find the following unique attributes:
a)
The ritual begins with a "recognition of initiation"
whereupon we take responsibility to accept the changes we bring
upon ourselves. In doing this, we also metaphorically begin
our journey as Ankh-f-n-Khonsu from life, to death, to rebirth.
Ankh-f-n-Khonsu is a manifestation of the universal
Birth-Life-Death-Rebirth formula to become a "cosmic journey of
the soul" as it is known to the tradition of Thelema. Ankh-f-n-Khonsu
represents the promise of "death of self" without loss of
the physical body -- that is, the "death of ego". It
is noteworthy to mention that we follow the journey of Ankh-f-n-Khonsu
throughout the ceremony.
b)
Traditional banishing ceremonies use the names of "higher
powers" to "ward" or "banish" so-perceived
"negative influences". This ceremony does not make any
such distinction but instead seeks to change our perspective of
"negative influences" so that they no longer maintain power
over us. This is achieved by acknowledging the perfection of our
will at any given moment in time -- that is to say, we gently remind
ourselves that we are in control of our path and where we are right
now comes as the direct result of the choices we have made thus
far -- so ultimately, we are exactly where we have chosen to be and
surrounded by exactly what we have chosen to surround ourselves with.
c)
The introduction and use of a new key "word of power",
namely; "AMADEUS". "Amadeus", when analyzed
by the Qabbalah, metaphorically represents the soul as a unique,
perfect, spiritual entity, greater than the sum of its parts,
resulting from the union of Male and Female; Love and Will. It
is a combined Qabbalistic / Thelemic representation of the universal
"higher self". The following is an excerpt, albeit
with footnotes removed, from "The Supreme Ritual of the Aeon:
Commentary"--
Amadeus
is the son, itself a new being but formed from the supernal barren
mother (Ama) fertilized by the God (Deus). Amadeus, the
"Beloved of God" is then Ra-Hoor-Khuit, the mystical union
of will and love, the unity of the son bound with a crown, here a
mystery of Venus, for it reflects the wonderment of life, the pure
joy which all motion through the universe is-- it represents
the spiritual purpose each creation has, that which makes it
special-- which is why it exists in the first place.
And this is too expressed by the latin-english mix "Am a
deus", that is, "Am a God".
But Amadeus is not merely descriptive of the son; it contains within
itself a formula of initiation.
For Amadeus is not a noun, but a verb, and as a verb it is an
injunction to LOVE GOD, that is, to both accept and emulate the
masculine (phallic, will-ful) side of one's self, and to respect and
admire with wonder all that which will has placed in one's path (for
one never knows when a certain chance symbol may be of supreme
importance-- "the stone that the builders rejected, the same is
become the head of the corner.")
It shows us that unity is to be found through AMA (love) and DEUS
(will) and thus represents the Thelemic code "Love is the Law,
Love under Will" in it's highest and most esoteric form.
Amadeus numerates to 111, and to 671 with the Mem taken as a Mem
Sofit. 111 is the number of Aleph (

,
111), and implies the highest unity. It is the same "God of
Justice" written of in the Enochian calls, and the AUM (

,
111) of the Buddhists. We also find the Hebrew "He is one
God" (







,
111) which, by virtue of Elohim (the masculine plural of a feminine
singular), again asserts the god-nature within all things. In An
Essay on Number, Crowley writes, "This is the most clear
and definite help we have yet had, showing Samadhi and the
Destruction of the Ego as gates of our final victory."
We find 671 as
the number of Adonai, the Holy Guardian Angel, spelt in full (







,
671) and also of the Law (


,
Tora, 671) the Gate (


,
Taro, 671) the Wheel (


,
Rota, 671) and the Lady of the path of Daleth (


,
Athor, 671). Of this Crowley writes, "This important number
marks the identity of the Augoeides with the Way itself ("I am
the Way, the Truth, and the Life") and shows the Taro as a key;
and that the Law itself is nothing else than this."
d)
There is a significant "qabbalistic" relationship between
the various "words of power" that the author believes is not
present in similar, traditional works.
e) The use of "virtues"
instead of "Archangels" of "Energies" to promote
"real world" values that will aid the adept in his
evolution. Thus, "who the adept might be" is not
challenged, fixed, or "bogged down" by specific
energy-forms, but rather given wings through virtues of his choosing
that promote his self and identity.